Showing posts with label classics. Show all posts
Showing posts with label classics. Show all posts

Sunday, January 13, 2008

Women's roles in Roman society and as objects of Plautus' wit

I noticed that Roman scholar Judith Hallett has released a new article assessing the writings of Plautus' Phoenicium on Roman love talk. Unfortunately, I was not able to find a copy online to include much of an abstract so here's the official news release:

"A University of Maryland Classics professor has suggested Roman ways of expressing your affection for that special someone.

Ancient Romans knew all about love, and weren't afraid to talk about it. So, professor Judith Hallett has offered a research on ancient Roman 'love talk'.

The study focuses on the writing of Plautus , a 2nd century BCE playwright.

In his work Phoenicium, Plautus looks at the different ways in which two men of very different social classes assess the erotically-charged words of one specific woman.

"Plautus, in his characteristically funny way, illustrates that social class, that of the critic and that of the writer, plays a major role in how Roman women's writings, and in this case erotic Latin writings, were judged by men," said Hallett.

But in my online research for more information about Hallett's work I did find a website by Associate Professor Ann R. Raia, The College of New Rochelle that included excellent supporting material about the roles and lives of women in ancient Rome. The first page I encountered listed all of the plays in which Plautus used women for comedic stereotypes:

Philaenium: Plautus, Asinaria
Bacchis, Plautus, Bacchides
Gymnasium: Plautus, Cistellaria
Acropolis: Plautus, Epidicus
Erotium: Plautus, Menaechmi
Philocomasium, Acroteleutium: Plautus, Miles Gloriosus
Pasicompsa: Plautus, Mercator
Philematium and Scapha: Plautus, Mostellaria
Lemniselenis: Plautus, Persa
Phoenicium: Plautus, Pseudolus
Phronesium: Plautus, Truculentus

Further exploration led me to a website that was a companion to her text "The Worlds of Roman Women. It included lists of both classic and modern references, images, and commentary. Well worth exploring! She is also a contributor to the excellent website Vroma and the Juvenal Project.

Saturday, December 22, 2007

Analyzing Biases and Narrative Strategies New Approach to Historical Study

Professor Marc Domingo Gygax

This sounds like a much more fascinating way to study classical history than the memorizing dates etc. approach!

"As he scribbled the names and dates of several Roman historians on the blackboard, Professor Marc Domingo Gygax challenged students in his freshman seminar to dig deeper.

Instead of discussing facts and figures, the students analyzed the methods, biases and narrative strategies of those writers and many others to try to answer the question, "Is there any such thing as historical truth?"

"In high school, we just learned names and dates," said Clayton Schwarz, one of 13 students in the class. "Here, we're looking at how people write history — how they evaluate sources — instead of what they're writing. "

The freshman seminar, "Truth and Objectivity in Ancient and Modern Historiography," compares the writings of ancient Greek and Roman historians such as Polybius and Tacitus with the work of modern historians to explore the degree to which objectivity can be achieved in the study of history. The students also read the work of 20th-century historians who have written about the problem of truth and objectivity to think about how to evaluate a historical text.
"The line between fact and fiction often is not clear," said Gygax, who is an assistant professor of classics. "We can see that in ancient history, and then we can ask ourselves if the same thing happens in modern history."

The students had plenty of questions during a recent class as they discussed the influence of rationalism and the use of specifics versus generalities in the writings of Herodotus and Thucydides. They also debated the reasons why Fabius Pictor, a Roman historian born about 250 B.C., wrote in Greek.

"Maybe he thought the language was more descriptive?" suggested Nick O'Neill.

"Greek was the international language spoken all around the Mediterranean," noted Suzie Raga. "By writing in Greek, he's implying Rome needs to pay attention to other nations."

"It was the language spoken by educated people at the time," the professor remarked. "Pictor also does it as a way for Romans to introduce themselves to the Greeks." Gygax also noted that "Pictor was influenced by Greek historiographic models and may have felt that Greek was the most adequate language for writing history in prose."