"THE concept of displaying and preserving plants as botanical treasures is as old as civilization itself. After all, the Hanging Gardens of Babylon were one of the wonders of the ancient world.
The Greeks, Egyptians, Chinese and Japanese were also ancient exhibitors of plants, although it was the Romans who developed this predilection into a science with their cultivation of exotic foliage brought from conquered corners of the empire.
However, the historical development of conservatories is also unavoidably connected to the progress made in the manufacture of flat glass.
There is some evidence that the ancient Romans first attempted to construct buildings that let in light but kept out cold, making use of sheets of mica in place of glass. They, unfortunately, fell with the Roman Empire. "
Subsection of Roman Times:
A weblog of links to and abstracts from academic presentations on the Roman Empire
Tuesday, February 24, 2004
Monday, February 16, 2004
Triennial Meeting of the Greek and Roman Societies Begins July 25
Friday, February 13, 2004
Interactions of Indigenous and Foreign Cults in Magna Graecia June 8 - 11
From June 8 - 11, 2004, the Vergilian Society will present a four-day symposium at the Villa Vergiliana in Cuma, Italy, focusing upon the archaeology, ancient history, philology, linguistics, iconography, and ritual activities at Italian cult centers, and the degree to which these cults were retained, modified, or replaced under foreign influences. This symposium will be an extension of an earlier symposium, held in June 2002, which focused on Greek, Roman and foreign divinities worshiped in Magna Graecia. Because of the wide interest in this topic, the symposium for June 2004 will revisit the topic, focusing now on religious perspectives and cult practices of indigenous populations of Magna Graecia, and their evolution or replacement under Greek and eastern influence."
Thursday, February 12, 2004
Catapult Makers: Rock Stars of Antiquity
The fearsome machines terrorized battlefields and sieges until the proliferation of gunpowder. Their power was impressive and terrifying. Roman catapults could hurl 60-pound (27-kilogram) boulders some 500 feet (150 meters). Archimedes' machines were said to have been able to throw stones three times as heavy.
The origins of the catapult are unknown. They appear in the historical record as early as a 9th-century B.C. relief from Nimrud in modern-day Iraq. "
Tuesday, February 10, 2004
Celts through Roman Eyes
'The Celts had drawn up the Gaesatae from the Alps to face their enemies on the rear ... and behind them the Insubres .... The Insubres and the Boii wore trousers and light cloaks, but the Gaesatae in their overconfidence had thrown these aside and stood in front of the whole army naked, with nothing but their arms; for they thought that thus they would be more efficient, since some of the ground was overgrown with thorns which would catch on their clothes and impede the use of their weapons.' On the other hand the fine order and the noise of the Celtic host terrified the Romans; for there were countless trumpeters and horn blowers and since the whole army was shouting its war cries at the same time there was such a confused sound that the noise seemed to come not only from the trumpeters and the soldiers but also from the countryside which was joining in the echo. No less terrifying were the appearance and gestures of the naked warriors in front, all of whom were in the prime of life and of excellent physique. All the warriors in the front ranks were adorned with gold torcs and armlets. The Romans were particularly terrified by the sight of these men, but, led on by hope of gain, they were twice as keen to face the danger. '... to the Celts in the rear their trousers and cloaks afforded good protection, but to the naked men in front events turned out differently to what they had expected and caused them much discomfiture and distress. For since the Gallic shield cannot cover the whole body, because they were naked, the bigger they were, the more chance there was of missiles striking home. At length, unable to ward off the javelin throwers because of the distance and the number of javelins falling upon them, in despair and distress some rushed upon the enemy in wild rage and willingly gave up their lives; others, retreating step by step towards their comrades, threw them into confusion by their manifest show of cowardice.' - Polybius, Battle of Telamon, 225 B.C.E.
Monday, February 09, 2004
Did the Carthaginians Introduce Tobacco to the New World?
This interesting article uses the arguments of language taxonomy to suggest tobacco was actually brought to the New World by ancient African traders.
"The British introduced the Luo to cigarette smoking only a century ago. So how is it that the Luo have an indigenous word for a 'cigarette', ndawa? And why is ndawa – a 'Nilotic' word – so closely related to Kiswahili dawa and other Bantu words to do with healing?
Let us approach the question from another direction. Our President is called Kibaki. This is a native Kikuyu name. Yet there is something universal about it. Without the prefix ki (which denotes largeness), we get baki.
This is very close to the Luo mbaki and both are very close to the English baccy. The question is: Is the word kibaki etymologically related to the words tobacco (English), tumbaku (Hindi) and their cognates in other Indo-European languages? "
"The emerging evidence is that the plant and its name are totally native to Africa. It was the Africans who took it to both the Americas and Europe – and even Asia – and they did it millennia before the "Age of Discovery".
"The British introduced the Luo to cigarette smoking only a century ago. So how is it that the Luo have an indigenous word for a 'cigarette', ndawa? And why is ndawa – a 'Nilotic' word – so closely related to Kiswahili dawa and other Bantu words to do with healing?
Let us approach the question from another direction. Our President is called Kibaki. This is a native Kikuyu name. Yet there is something universal about it. Without the prefix ki (which denotes largeness), we get baki.
This is very close to the Luo mbaki and both are very close to the English baccy. The question is: Is the word kibaki etymologically related to the words tobacco (English), tumbaku (Hindi) and their cognates in other Indo-European languages? "
"The emerging evidence is that the plant and its name are totally native to Africa. It was the Africans who took it to both the Americas and Europe – and even Asia – and they did it millennia before the "Age of Discovery".
Monday, February 02, 2004
Deed Of Earliest Woman Sold in London Goes On Display
The legal document relates to a Gallic slave-girl called Fortunata who was sold in around AD 80-120 for 600 denarii, a price far higher than the annual salary of a legionary soldier."
"Translated by Roger Tomlin, Oxford University lecturer in Late-Roman History, the text reads: 'Vegetus, assistant slave of Montanus the slave of the August Emperor, has brought the girl Fortunata, by nationality a Diablintian for 600 denarii. She is warranted healthy and not liable to run away.'
"It seems that Fortunata had been bought by Vegetus, himself a slave owned by Montanus, who was also a slave once owned by another slave called Secundus."
Friday, January 30, 2004
Scholarship and historical anachronisms
Later, I was reading my e-mail and one of my news alerts about the Roman Empire brought an article to my attention about the history of spas and bathing which was part of a website of a Spa Manufacturer. Now, normally, you would think that if you are in the business, you would be at least somewhat authoritative about its origins, especially if you were going to post an article about its history. But there it was in bold black and white – the first public Roman bath was built by the Emperor Agrippa (what?!!!) in 25 B.C.. I was a little surprised by the lateness of the date as well so I thought I should check with Lacus Curtius (always a reliable scholarly source) and found the following reference:
It is not recorded at what precise period the use of the warm bath was first introduced amongst the Romans; but we learn from Seneca (l.c.) that Scipio had a warm bath in his villa at Liternum; which, however, was of the simplest kind, consisting of a single chamber, just sufficient for the necessary purposes, and without any pretensions to luxury. It was "small and dark," he says "after the manner of the ancients." Seneca also describes the public baths as obscura et gregali tectorio inducta, and as so simple in their arrangements that the aedile judged of the proper temperature by his hands. These were baths of warm water; but the practice of heating an apartment with warm air by flues placed immediately under it, so as to produce a vapour bath, is stated by Valerius Maximus (ix.1 §1) and by Pliny (Plin. H.N. ix.54 s79) to have been invented by Sergius Orata, who lived in the age of L. Crassus, the orator, before the Marsic war. The expression used by Valerius Maximus is balnea pensilia, and by Pliny balineas pensiles, which is differently explained by different commentators; but a single glance at the plans will be sufficient in order to comprehend the manner in which the flooring of the chambers was suspended over the hollow cells of the hypocaust, called by Vitruvius suspensura caldariorum (v.11), so as to leave no doubt as to the precise meaning of the invention, which is more fully exemplified in the following passage of Ausonius (Mosell. 337):—
"Quid (memorem) quae sulphurea substructa crepidine fumant
Balnea, ferventi cum Mulciber haustus operto,
Vovit anhelatas tectoria per cava flammas,
Inclusum glomerans aestu exspirante vaporem?"
By the time of Cicero, the use of baths, both public and private, of warm water and hot air, had become general (Epist. ad Q. Frat. iii.1); and we learn from one of his orations that there were already baths (balneas Senias) at Rome, which were open to the public upon payment of a small sum (Pro Cael. 25, 26).
The time of Cicero was the first century B.C.E. but an entire generation before Agrippa. I sometimes wonder if cultural icons like the Colosseum, gladiatorial games, and Roman baths are so representative of the Roman culture that authors (and people in general) just naturally assume they were always a part of Roman society so they never bother to check. Now days with the text search capability of the internet and so many scholarly articles on line, it does not take hours of digging through dusty volumes at the library to check out such things but I guess people have to realize the need for accuracy before they will expend even that much effort.
It can happen to scholars as well. I noticed that in the novel The Spartan, Manfredi wrote that Kleidemos (Talos) planned to attend a Persian banquet and was curious to find out how so-called "barbarians" actually lived. This casual comment would seem relatively unimportant unless you know that the usage of the word "barbarian" in ancient Greece only meant someone who did not speak Greek and did not connote crudeness or lack of "civilized" behavior. It appeared to me that Manfredi implied the modern connotation.
Fayoum Portraits' Cultural Source Debated
Still they did not escape controversy. Specialists in Graeco-Roman art regarded them as Egyptian, but Egyptologists considered them to be works of the early years of the Christian era when Egypt was under Roman occupation, and therefore out of their sphere. For too long art historians neglected these masterpieces. Today they are receiving their due, with one startling fact to emerge being the possibility that the portraits inserted into the wrappings of mummies may not be representative of Roman provincial art, as earlier described, but created by Egyptians for Egyptians. In other words, they may not be portraits of the Mediterranean aristocracy who controlled Egypt in Roman times, but of Egyptians themselves. "
Letters from the Roman Front in Egypt Discovered
"Nearly 2000 years ago a young Roman soldier wrote home, asking his father's permission to marry his girlfriend. In another letter, he asks for boots and socks to keep his feet warm during a cold winter. And he tells how he must violently put down those who revolt and riot in Alexandria.
All this - and more - about life for Tiberianus, who lived in Roman Egypt, is being advanced through the work of a Princeton High School graduate now attending the University of Michigan.
Last fall, Robert Stephan (Class of 2001) found some papyri - ancient writings on papyrus, made from the reed plant - stored but forgotten in the university's vault. The papyri had been collected during UM excavations at Karanius, southwest of Egypt's Nile River delta, in the 1920s and '30s.
Unbeknown to today's scholars, 15 papyri collected from the original excavation had been catalogued by the university but never examined or translated."
I wish these scrolls actually referred to the riots that occurred during Julius Caesar's Alexandrian Wars. It would be fascinating to read a common soldier's opinion of Caesar's command in the field.
All this - and more - about life for Tiberianus, who lived in Roman Egypt, is being advanced through the work of a Princeton High School graduate now attending the University of Michigan.
Last fall, Robert Stephan (Class of 2001) found some papyri - ancient writings on papyrus, made from the reed plant - stored but forgotten in the university's vault. The papyri had been collected during UM excavations at Karanius, southwest of Egypt's Nile River delta, in the 1920s and '30s.
Unbeknown to today's scholars, 15 papyri collected from the original excavation had been catalogued by the university but never examined or translated."
I wish these scrolls actually referred to the riots that occurred during Julius Caesar's Alexandrian Wars. It would be fascinating to read a common soldier's opinion of Caesar's command in the field.
Into the Hands of the Shades - Death in Roman Cumbria
A new exhibition at the Tullie House Museum in Carlisle, called 'Into the Hands of the Shades - Death in Roman Cumbria', will seek to explain the Romans' beliefs about death and burials.
Hilary Wade, museum and arts manager at Tullie House said: 'We are delighted at the announcement of a 24,000 pound grant from the Heritage Lottery Fund for this project... [it] will allow us to produce an exciting exhibition based around murder, mystery and intrigue - not something Museum's are traditionally associated with!
'We are bringing together a 3rd Century mystery with 21st Century technology and it is sure to capture the imagination of Cumbrian residents'. "
A highlight of the exhibit will be a reconstruction of the face of a skeleton found in a well in the city during the 1980s - he had been shot in the head and attacked with a sword. Archaeologists named him 'Duncan'.
Hilary Wade, museum and arts manager at Tullie House said: 'We are delighted at the announcement of a 24,000 pound grant from the Heritage Lottery Fund for this project... [it] will allow us to produce an exciting exhibition based around murder, mystery and intrigue - not something Museum's are traditionally associated with!
'We are bringing together a 3rd Century mystery with 21st Century technology and it is sure to capture the imagination of Cumbrian residents'. "
A highlight of the exhibit will be a reconstruction of the face of a skeleton found in a well in the city during the 1980s - he had been shot in the head and attacked with a sword. Archaeologists named him 'Duncan'.
Thursday, January 22, 2004
ANCIENT EMPIRES AND SEXUAL EXPLOITATION: A DARWINIAN PERSPECTIVE
"The intention to marry one's own former slave justified her manumission before age 30 (the minimum agelimit set by the lex Aelia Sentia); the fact that a slave was the owner's biological child (filius/filia naturalis) activated the same exemption (Gai. Inst. 1.19). And indeed, in some inscriptions the owner of a slave is also the father (Herrmann-Otto 1994: 42-6, 88-90). Filii naturales of this kind are frequently referred to in Roman law: blood ties between owner and slave become a factor in legal discussions of manumission, damage assessment, and inheritance (Rawson 1989: 23-9). The legal anomaly that a slave woman's children were not included among her fruits (unlike in the case of livestock) made it easier for a putative owner/father to retain a child even if the mother was sold (Watson 1987: 103-4). According to Ulpian, one might happen to inherit an estate comprising one's own biological father, mother or brothers (Dig. 30.71.3). Such heirs must have have been the children of testators by their slave women. In his study of Roman wills, Champlin 1991: 137 speculates that slaves instituted as heirs 'may have had a sexual liaison with the testator' or 'may have been an illegitimate child of the testator'. However, even though slaves and ex-slaves could be made heirs (Iavol. Dig. 28.2.11), this often involved adoption (Herrmann-Otto 1994: 85-6 n.179). Slaveowners had no legal obligations to children they fathered with their own slaves. At the same time, they were free to choose to acknowledge, manumit, institute as heir, and adopt any of these children. In this way, Roman slaveowners retained the greatest possible degree of control over the allocation of their material resources: while they were unconstrained in disseminating their genes amongst their slaves, it was also left to them to decide whether or to what extent to match gene flow with the flow of paternal investment: in this regard, their options ranged from the sale of such offspring on one end of the scale to adoption on the other. In short, the Roman slave system optimised 'marginal reproductive success'. Syme 1960/79: 511 notes the 'singular dearth of evidence about aristocratic bastards', which he attributes to a pervasive code of silence. This silence will best be taken as powerful testimony to the masterful efficiency of the Roman elite in separating acknowledged from marginal progeny, and in regulating paternal investment accordingly."
Monday, January 19, 2004
University of Nottingham sponsors conference on the Oath in Greek Society
Beautiful illustrations prove hazardous to ancient texts
Saliba presented the case of Dioscorides' text on the Mandrake plant. Pedanius Dioscorides (40-90 AD) was a Greek physician who traveled extensively through the Roman empire while serving with the army.
During his travels, he sought medical substances from all over the Roman and Greek world. Probably between 64-77 AD, he wrote his fundamental work known in Latin as De Materia Medica (the world's first pharmacopoeia). This five-volume book became the standard reference on pharmacology for more than 1,500 years.
According to Saliba, Dioscorides' texts suffered more than others because they were so heavily illustrated. Although the original Greek manuscript was not illustrated, the versions that followed, whether in Arabic, Latin or Syriac, were. And all of them are missing a crucial part of the text.
"Indeed, if one were to leaf through an illustrated Dioscorides manuscript, and reach the part about the Mandrake plant, the reader would see an illustration of the Mandrake, which root is depicted as having the shape of a human body to convey that it has what we could call today the Viagra effect," Saliba says "or an invigorating effect.
But the Mandrake is also poisonous, and so strongly that it was used as a surgical anesthetic."
So this is where the danger of beauty lies: manuscripts' illustrations have captured so much of the attention of art historians, librarians and curators over the centuries that they were often ripped out to be framed and hung in libraries, while their texts were left in archives.
See also the history of pharmacology
Wednesday, January 14, 2004
USA Network plans new Spartacus
Visnjic, who plays Dr. Luka Kovac on ER, acknowledged the risk of assuming a role so linked to another actor. 'Kirk Douglas is my father's favorite actor,' he says. 'So when I told my father I'm going to be doing Spartacus and I've made my decision, he was like, 'Better be good.' '
Beyond his personal challenge, Visnjic says the story of slavery in 72 B.C. and rebellion against the Roman Empire needs to be told again. 'For Spartacus to create the uprising and to do something was so extraordinary,' he says. 'I would compare it with inventing the theory of relativity. It was such a huge issue.'
It will be a huge miniseries, with 32,000 extras and major battle sequences staged in Bulgaria."
Tuesday, January 13, 2004
Even the Ancients Criticized Unconventional Weapons
The first recorded instance of poisoning an enemy's water supply, for example, appeared in the sixth century BC in the Sacred War, when a number of city-states, Athens among them, attacked the Greek harbor town of Kirrha.
"They were besieging this town for having taken advantage of a sacred site, for not respecting the sacred site of Apollo," Adrienne Mayor, author of Greek Fire, Poison Arrows & Scorpion Bombs: Biological and Chemical Warfare in the Ancient World, says. And since the aggressors called it a sacred war, she adds, the label lent a certain justification to the use of the unconventional warfare.
The attackers poured poison into the water supply, sickening its inhabitants and leaving them easy marks for the ensuing full-scale slaughter of defenders and civilians alike. But the victory was tainted by a fair amount of soul-searching throughout Greece.
"The Greeks were horrified after this happened," Mayor says. "They actually agreed not to interfere with the water supply of other Greek city-states."
Roman historians responded similarly to other "unfair" battles, writing that dipping arrows or spears in poison disgraced the very iron used to forge them.
"One of the more gruesome instances occurred in AD 198, when the Romans besieged Hatra, a fortified city between the Tigris and Euphrates rivers in what is now Iraq.
The citizens of Hatra would not be overcome so easily.
"They prepared two forms of surprise weapons on the Roman besiegers," Mayor says. "The first was that they gathered petroleum from the oil fields around Hatra, a substance that would have been virtually unknown in Italy. They would pour burning petroleum down on the Romans, and these fires are unquenchable, there's no way to put them out." The petroleum burned the Romans' weaponry, melted their armor, and incinerated the attackers, forcing the emperor to withdraw his troops. When the Romans returned, the people of Hatra already had gathered scorpions and other poisonous creatures such as assassin bugs from the desert. They filled terra cotta pots with their biological arsenal, in effect creating crude scorpion bombs.
"In a sense, it doesn't even matter how many times the scorpions stung the soldiers," Mayor says. "It's just the horror of having these pots break on your head and having the scorpions crawl on you."
Monday, January 12, 2004
Last Days of Pompeii
THE LAST DAYS OF POMPEII
Gladiators ... gorgeous young lovers ... orgies ... a truly evil villain ... AND the most famous volcano of all! In 79 AD, the luxurious and often corrupt Roman city of Pompeii was frozen for eternity when Mount Vesuvius erupted in a violent volcanic explosion. Based on the classic novel by Edward Bulwer Lytton, THE LAST DAYS OF POMPEII is the story of man's insignificance against the forces of nature, as well as testimony for the heroic deeds of mankind. This film will capture the love story, murder mystery, stunning acts of betrayal, and physical courage against the exotic background of the Roman Empire in the 1st Century. With enhanced computer generated visual effects, the explosion of Vesuvius will be a cataclysmic event unlike anything TV audiences have seen before. The adaptation is by Benedict Fitzgerald (Moby Dick, In Cold Blood). Delia Fine serves as the executive producer for A&E Network. The producing team behind A&E's Benedict Arnold and The Magnificent Ambersons includes Norman Stephens (Bang, Bang You're Dead) and Jonas Bauer as producers and Guido de Angelis and Franz Landerer as executive producers. This is a co-production with The DeAngelis Group.
The book by Lytton is available online through the Gutenberg Project.
Thursday, January 08, 2004
Eels in Roman Gardens
"I expect that many of the people who visit Pompeii imagine that the pools in Pompeiian gardens were stocked with goldfish. Actually, goldfish are native to China and the Chinese seem to have domesticated the goldfish about a thousand years ago, so you shouldn't picture them in Pompeii's pools.
Goldfish (Carassius auratus) are members of the carp family and are closely related to common carp (Cyprinus carpio). Ancient Greeks and Romans were familiar with common carp, so I was surprised that James Higginbotham didn't mention carp in his book Piscinae. Brightly colored Japanese koi are really just common carp which have been selectively bred. Common carp often produce brightly colored mutants; you would think that the ancient Romans would have noticed this characteristic and bred brightly colored carp, but this doesn't seem to be the case.
Professor Higgenbotham was focusing on the fish with ancient Roman authors mention in connection with Italian fishponds, and carp were not among them.
I expect that many of you will be surprised to learn that the fish which ancient Roman authors mention most often as being kept in fishponds are eels."
"Eels were a popular food among wealthy Romans, but a number of Romans seem to have really loved their pet eels. The orator Quintus Hortensius was very was very fond of the eels which he kept in the fishpond of his villa, he is reported to have wept when one of his eels died. Antonia (the daughter of Marc Antony and mother of the Emperor Claudius) is said to have fastened earrings to the pectoral fins of her favorite eel. This was probably a moray or conger eel, since they are the only eels which have pectoral fins that earrings could be attached to.
According to Pliny the Elder, L. Licinus Murena "invented" the fishpond early in the first century B.C.E. I am not sure what he meant by that, since the ancient Egyptians had been raising fish in ponds for centuries. Marcus Terentius Varro (116 - 27 BCE) said that Murena got his cognomen (meaning eel) because of his fondness for eels, but he doesn’t seem to have specialized in the raising of eels. Pliny the Elder said that it was C. Hirrius who first used fishponds solely for the raising of eels.
"Wealthy Romans were often accused of loving their fish more than they did their servants. Varro tells us that Quintus Hortensius "was no less disturbed over his sick fish than he was over his ailing slaves. And so he was less careful to see that a sick slave did not drink cold water than that his fish should have fresh water to drink". Vedius Pollio was a very extreme example of this attitude. According to Seneca the Younger (c.4 BCE - c.65 CE), Vedius Pollio would fatten his murenae on human blood, and order those slaves who had for some reason incurred his displeasure to be thrown into his fishpond. He may have actually done this; Pliny the Elder and Tertullian repeat the same story."
Kirk Johnson has also written interesting articles on
Pompeiian Yard Art
Venus in Pompeiian Gardens
Gardens of Nudes –How statues were displayed in the gardens of Imperial Rome
Wednesday, January 07, 2004
Laelianus - Roman Emperor
I was reading David Meadow's very interesting blog rogueclassicism and noticed a reference to the UNRV website. This website was initially established as a resource for Roma Victa gamers. As David points out, it has an extensive index of Roman legions from the time of Julius Caesar to the 4th Century C.E. including their foundation, their bases, and battles and events in which they were involved. I was also intrigued by its Emperor index that covered a number of relatively unknown emperors from the 3rd – 6th centuries C.E. including Ulpius Cornelius Laelianus (269 C.E.).
"Laelianus shared the same nomen as a prominent Spanish noble family, the Ulpii, that included Trajan among its members, and may have been a relative.
This is supported by the strong allusion to Spain on an aureus he struck, which featured the design of Hispania reclining with a rabbit to her side. If he indeed was a relative, this may be the reason Spain allied itself with Claudius II, after the death of Postumus, seemingly without a struggle.
Laeilianus was an usurper against Postumus, himself another usurper, who was unable to rout the incumbent when their forces met in battle. Laelianus thus had a tenure lasting from near the beginning of the year 269 through no later than that summer. Although his exact position is unknown, he is believed to have been a senior officer under Postumus. Laelianus represented a strong danger to Postumus because he was believed to be governor of Germania Superior and therefore had the command of two legions. (Legio XXII Primigenia, Legio VIII Augusta at Argentorate -Strasbourg-)."
Laeilianus was an usurper against Postumus, himself another usurper, who was unable to rout the incumbent when their forces met in battle. Laelianus thus had a tenure lasting from near the beginning of the year 269 through no later than that summer. Although his exact position is unknown, he is believed to have been a senior officer under Postumus. Laelianus represented a strong danger to Postumus because he was believed to be governor of Germania Superior and therefore had the command of two legions. (Legio XXII Primigenia, Legio VIII Augusta at Argentorate -Strasbourg-)."
Monday, January 05, 2004
Foundlings provide source for Roman Slavery
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